We're Off To See the Wizard

I'm glad I have a forced rest right now. (See the post about the whole stupid foot-in-an-inflatable-cast thing.)

I'm happy to be able to catch up on some photo organization and scrapbooking. In going over my stuff I realized I had never printed the photos from the Spring Musical that my son, Jonathan was in. (Working on the scrapbook now.)

Jon played the Cowardly Lion in his high school production of The Wizard of Oz.

I was in charge of designing and costuming the show (as usual). And, if you recall, I dolled up a pair of Ruby Slippers that looked pretty fantastic, if I do say so myself. Click here for my step-by-step tutorial on How to Make the Ruby Slippers from The Wizard of Oz. Also, "Dorothy," who just happens to be our next-door neighbor and friend, Tessia, wore the Ruby Slippers at graduation. Made me so proud.

This kind of "work" is such a delight for me. It reminds me of the hours I spent as a child dressing Barbie (don't judge). I spent most of the semester frantically searching, begging, borrowing, and stealing every green article of clothing I could get my hands on for the Oz Citizens.

Of course there were also Munchkins to dress.

Munchkins totally know how to celebrate. "Ding-dong, the witch is dead!"

And witches, bad and good.

And the Wicked Witch of the West's enslaved Winkies. (I didn't know they were called Winkies either, until I started working on this show, but that's not important right now.)

In the stage version of the Wizard of Oz, there are also Talking Crows and Singing Trees (they were actually my favorites, but I'll deny it if you tell the rest of the cast).

The fantastic makeup was done by some of the talented students, themselves.

And there were Flying Monkeys. Of course.

My job was basically to "style" the show and make everything and everyone look pretty. It's a lot of hard work and I invested a ton of hours along with an incredible group of parent volunteers. It was a bit of stress getting the kids to rehearsals and shopping thrift stores and brow-beating my seamstresses.

Why do I do it?

1) Because I think the kids deserve for everything to look amazing if they're going to give their best performances. (Which they totally did.)

2) Because it's usually a family affair with Lucy doing the stage lighting design and cheering on her little brother from up in the sound booth. So, it's a lot of fun for us as a family.

3) Because I get to appreciate Lucy's lighting artistry. The yellow brick road was done with a light. It's called a "gobo" in stage speak. You're impressed now, right?